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REIMS LA CATHEDRAL OF REIMS FITS THE DISABLED

After the Palace of Tau, it is the turn of the Notre-Dame de Reims to be made accessible to disabled people.

In spring 2011, an entry on his north side, specifically between the 2nd and 3rd foothills, will allow them easy access to the monument.

On the south side, another development will have direct access to the Palace of Tau by a neighbor landscaped path for easy mobility.

More info on the site of the DRAC Champagne-Ardenne www.culture.gouv.fr / Champagne-Ardenne .

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RALLY OF MONTE CARLO HISTORY: THE PROGRAM FOR FRIDAY 28 TO REIMS

Reims is home to the Rally of Monte Carlo history again in 2011. Lovers of old displacements will be filled since the vehicles will be visible throughout the day Friday, January 28:

- 9 am to 15 am on 30 in front of the Congress Centre: technical and administrative scrutineering in the presence of Jean Ragnotti

- 11 h 30: press briefing at the Renault dealership Pont-de-Vesle

- 17 h 30: early events on the Place du Forum, place of departure of the competitors, with live broadcast on the big screen

- 19 h 03: Departure of the first vehicle. The following departures will succeed every minute up to 21 h.

Among the 115 cars, 66 will start in Reims. The remaining 49, from Glasgow, will conduct a passage control and scheduling in Reims and will start at the same time as the other crews.

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Back on the ten-year association remue.net

Roundtable the internet changed your writing - photography Benedict Vincent .

Saturday, January 15, at the library in Marguerite Duras the 20th arrondissement of Paris, were feted ten years of association remue.net. The site remue.net has meanwhile more than ten years, it had been opened by François Bon in 1996, it quickly became collective, and has formed an association in 2001.

It is a crucial and fundamental literature in French on the Internet, a place of living, creating, thinking and multiple crosses, a home - in both senses of place to live and place emitter energy is spreading elsewhere. The day of 15 January was the image of remue.net , rich and exciting. Fellowship.

is under the sign of brotherhood that was open that day, Sebastian Rongier showing by reading the beautiful words Philippe Rahmy , which had also formed opening for the association, at its first meeting in 2002:

Ladies and gentlemen, dear friends,
I am pleased us today on behalf of the Bureau at the first General Assembly remue.net association.
The first is that in many respects and perhaps more particularly because of what Francis and all of us with him we have undertaken in engaging in adventure: to try an assault against borders, against the enclave where life takes us, knowing that it borders, precisely at the seams, these lines of force and sharing that make a landscape a living space that is played the literature which we know nothing except that she discards the seizure, except that it is the place for me unstable and shifting, yet absolutely real and invincible brotherhood.
It is with literature as an archipelago or a constellation in which each land mass, which opens every star visible in the great body fluid where it takes root, and question of its special glow, and the assertion of his absolute loneliness. Uniqueness, isolation can make the speech, this is the price that the voice rises and takes the breath out of silence from which it proceeds, it is "translated of silence "after the image of Joe Bousquet.
translation, mediation, there may well be in the least wrong to say that emerged during this year moves on. Net association and the truest way to account for work that, contrary to what I just said, or rather because of the fraternal bond that is the brand derives its uniqueness of a sharing and closer perceptibly our respective isolates.
Thank you. I want to welcome each and each.

Rahmy Philippe, 2002

I had the honor to be invited to participate in a roundtable during the day, which brought together Philippe de Jonckheere , Thierry Beinstingel , Anne Savelli and Cécile Portier , the theme the internet to exchange your writing . The panel was moderated by Guénaël Boutouillet , and she began with the reading by participants, of text by which each offered a possible answer is personal to the question posed by the panel (four texts are not five, as Thierry and Anne Savelli Beinstingel lurent two votes).

My text was as follows:

Internet makes me write. Without the line of my lyrics on the internet, I 'm not sure I could leave when I was paralyzed, in which hope and desire to write not realized because of my fear that this business can be quite catastrophic, if not j wrote it but failed to produce literature, and that leaves me perfect disaster failed completely illegitimate and totally unworthy in my eyes and those of a world as an instance fantasy than granting irrevocable damnation or salvation - that kind of mental constructions steeped in Christian superego and romance were outraged swamps where I was stuck. Internet allows me to be a beginner, be up to a position between nothing that I had no literary blog and something I wanted to be sickly and I did not even try to be fear of failure, and the revelation of nullity which might have resulted from the attempt. Nothing and something that only make sense in this situation Flippee mental idealization and deification of literary writing, a situation that m ' has just allowed myself to invalidate the act of writing texts put online on the internet. Invalidate the point that for me when I write, issues such juveniles from those of personal dignity or shame it would be possible or fair to make the simple claim of writing no longer arise. Now I write, that's all. Hoping the good and the just, accepting the failure and the weak.

So, I do not know quite what to make of the notion of a writer, I do not reject it because I think many people are unquestionably, and how! but it does not seem so far as to give enough to be read (though I do not know anything) and I do not see one myself, although I write. The launch of his texts on the internet asking this question with a freshness and sharpness and vivid renewed it has more of a blurred boundary that was in any way arbitrary and widely criticized, even if it is ultimately a poor response to a question that I think applies. Not that we should respond, since it is too huge for his first front is not a dead end or a wall on which to break teeth, but as she is secretly writing work, and more than when ever he or she who has written better things to do in writing than to ask it.

The panel approached including technical issues, the possibilities of intertextuality by links, navigation and cross-publication by vertical stacking and anti-chronological order, their specific editing and reading own blog in one hand and site Internet on the other (issues on which Joachim Senna rebounds rature.net ).

the rest of the day, there is much to remember, between readings (from Serene Berlottier of Dominique Dussidour of Claude Favre of Pierre Menard of Jose Morel Cinq-Mars ), performance (of Fred Griot of François Bon with Dominique Pifarély ), and summonses (by their actual physical presence or the aural evocation of person) who made significant figures or are still living Association ( Sylvie Gracia , Lawrence Margantin , Laurence Skivée , Jean-Michel Defromont , Dominique Hasselmann etc..). We could find accounts and relationships among Mary Axe among Anne Savelli among Cécile Portier .

It may also listen to the show Square Canvas France Culture, which met on January 16th François Bon, Sebastian Rongier Philippe de Jonckheere and Patrick Chatelier .



My warm thanks to the association remue.net invitation to participate in this great day, and have caused fine and friendly meetings, journals people happy, others encountered, other discoveries.

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State places




I discovered every week of new homes dropped. So many around my house. After they battered roads are there, always there, always more tired. Permeable under roofs. Inside, the wallpapers are yellowed and eaten. The lace curtains, threadbare. Like their weaknesses. Imagine the lives, lives that revolved around them when they were still called "farms". It was not that long.
All these houses are so similar. Same door, same grand staircase, the same huge barrels stored in the cellar, the same crates perched at the top stables. And generally the same view on the Pyrenees. And for myself sad to see them become damaged area in winter.
Each of them makes me dream. I draw them if they can not buy them.

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close your eyes to mine fuzzy (photography found)

I do not really know who decided to buy it. Is it my grandpa China to photograph the land he was yet too cold to die? Is my uncle N. I did not notice until much later quirks unhealthy? Is my father because it is very French have a Scrapbook ? Was it simply that there remains a trace of their survival, together?
I know that printing photos mate piled in disorder in the stunning great walnut wardrobe of my parents. There's a collective timidity sad watching them, it always seems that the smiles of everyone hides a secret pain, that of having left his country, that of having lost loved ones, that of being a little lost himself on these new land. However, there is the third birthday, little candles on the cake supermarket and duvets rigor, there is the first satchel on his back when I wore a green striped dress and blue picnic around a pond with compartmentalized boxes that contained a little rice, dried fish, pickled cucumber, salted duck eggs with salt, small egg patties of fish, fried pork Ginger. Of these, I often wear a yellow dress with small gray palm. There is also the first car of my father, a Two-Horse cream leatherette seats with red-brown.
Among the gifts we exchanged during a pre-Christmas just two, there was this unit that I kept for several months in my office without daring to take the time to put the batteries to find the leaflet, lost since the '80s, when my family had acquired. G. it is secretly responsible for me and made me tense quiet with the idea that I could do something good. I immediately thought of Hervé Guibert who said that he felt when a photographer on a film of thirty-six, there was just a good photo. G. gently warned me: Do not expect too much from one photo, make full full full, uninhibited, accept that it is missed, obviously. Doing what I love without thinking too much to those I admire. I saw our family photos when my uncle was programming the self-timer and we were shaking all appear in the frame, I feel my mother's arm that wraps around my shoulders.
G. I was also offered a mysterious book, none of us had ever laminated but I lifted the cover in a beautiful album of Editions Palms (I just can not find which one). For twenty years, the authors found Photo have collected photographs of neglected, abandoned in garbage cans or the eye of onlookers in boxes at flea markets. Pictures of anonymous trace humble and sensitive a newspaper that seems surprisingly familiar. There is a car at the edge of a cliff, a woman who takes a nap in the sun, falling on a bicycle, play tennis, a dress that looks brand new, the afternoon fishing off a wall covered with portraits, the last time I saw you, probably. I contemplate for hours these past lives. I spend my time putting my own twenty-four exposures over days, accumulating a curious impatience while waiting to be developed.


As I have many things to write right now, time twists, I do almost anything with the lifestyle. When I have a whole day at home to work, I have lunch very late, sometimes at snack time and some dietary heresy. I probably would not have to redo the stock of dried noodles ... but in each bowl burning, there is the memory of breakfast with my grandparents and noodle soup served with my grandfather in an old bowl Arcopal white with blue flowers. This afternoon, enhanced by the leek, a poached egg and Seven Spice Japanese eaten while listening to a pianist reminisce Stockhausen, my noodle soup also made me think of pizza sandwich Fanny , which I find absolutely baffling poetic in its simplicity and comfort of gluttony.

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This curious smile, which pleased me so (such as salmon pie, mint and peas)

While I dreamed of leaving as quickly as the gray and gloomy town square where my parents lived, it is precisely a high school built while I was finishing my fourth college in which I learn later with some dismay, was named a disaster neuropsychiatrist. There was no longer any question of me in one of the neighboring schools in the town which adjoined the town of my parents, a city just as ugly but had the undeniable advantage of having two cinemas and a library creep.
Obviously I did not really like this school who felt desperately new. He had no history, at least not one that is engraved with a cutter on small wooden desks varnish. There was plastic everywhere and especially so few students it was impossible to go unnoticed.
Yet it is in this place very redneck and boring that I met J, which would dramatically change my life.
J. had a good thirty years older than I, J. came from Paris, J. wore perfectly tailored suits, a long beige coat, beautiful scarves and hats, J. was my French teacher (and this year, the program tray, there was Andre Malraux, which was not really a good sign).
One day I wrote a letter to J., a naive and school letter, handwriting and laid paper support. I do not remember very much of its content (later G. remind me often that I should copy my letters but I think it's pretentious to be wrong, probably because there is not it), but I know I timidly asked him what were his books, movies, favorite music. The answer
EARTHSCIENCESSECTOR few days later, in early summer, inside a thick manila envelope, delighted vigorously under my father who had opened the family mailbox. It is from this letter, a dozen pages covered with writing in a hurry, in black ink, I am finally managed to leave, otherwise, the city and life where I bogged down by force of circumstance.
Indeed, J. spoke of Francois Truffaut, Jean-Luc Godard, Gilles Deleuze and Marguerite Duras, Luis Bunuel, Jacques Rivette and Robert Bresson. Of course, I rushed to the library and it started like that.
In the years that followed, J. was very present. Whether to discuss during the English classes that allow me to dry, either on the phone when I was a little desperate during the first days of Hypokhâgne when I regretted not having done medicine ( is a funny memory the phone conversations of the preparation. I was at boarding school and there was a telephone at the end of a long corridor. Nobody had even telephoned one laptop and sitting on the floor, curled in a corner of the corridor often deserted because everyone was busy working), during the years of medicine too, as the refuge reassuring to be heard and understood . I talked
J. G. when we left the cinema after a thrilling session of Two wave . In this documentary, we follow the route of Godard and Truffaut, they meet in their shattering break through film clips (it was the infinite happiness of seeing the scene sequenced crackers in Stolen Kisses, Antoine Doinel where the trouble to settle before a meal Japanese car that wins Jim and Catherine powerless under the gaze of Julius and Bernadette Lafont in Les Mistons that would give me almost want to ride a bicycle ...), also through the path of Jean-Pierre Léaud, quartered between the two filmmakers who have given birth, through archival footage showing the artistic and political engagement that agitated (small thrill in recognizing Resnais head of a sixty-eighters event) through finally, the contemporary look of Isild le Besco, leafing through the newspapers and then wanders through Paris in a mantle certainly informs but gives the impression that is also another time. No revelations in this film that I still terribly excited because it compiles the images that have built my interest in cinema and also because it shows so invigorating the creative process of his way protagonistes.La Truffaut says as the film saved a mediocre life is extremely touching, as the fervor he puts into his very young cinephile who sees the day. On reading the letter that sealed his break with Godard after the release of The American Night is both very funny and very chilling. Obviously, all this has not arranged my regret at not making movies (just imagine that for many years, I followed closely the subjects of competition Femis in persuading me that I too consider it to zero . Now, the question no longer arises, I passed the age limit for admission).
(except for those who wonder, the meeting of two wave was followed by a meal pancakes, with a second pancake salidou, to addiction recognized)
Besides, if you would enjoy meeting a girl that has an apartment without a mirror that can get out to terraces of coffee in my pajamas, which likes include street names to Paris, which enjoys impersonate another who likes the name Anna, which puts on his sofa cushions purple velvet gray to contrast that with gentle mockery cruelty gallery owners, who buys fish even if she does not like it and that makes a nod to a Tic-Tac blue stuck in a groove in the floor, read Alice Kahn a great novel I devoured this afternoon. In a small interview, the author, Paul Klein, said she gathers chance to make a fuss . What a program!
could almost forget the delicious pie yet inspired by a recipe Catherine Kluger. It tastes like mischievous holiday on the English coast year with a young au pair in Japan.

pie salmon-pea-mint with wasabi
For a tart thick 20cm diameter

The pastry Catherine Kluger
-200g of flour (here of T65)
-90g cold butter into small dice (here salted)
-1 egg-20CL
very cold water

The liner
-20cl milk
-6.5 cL cream

-3 eggs-100g peas (here frozen) cooked and cooled immediately to keep them bright green
-200g salmon cooked and crumbled
-3 branches chopped mint
-of wasabi, pepper and Parmesan

For the dough, sand butter and flour with fingertips.
Make a well, pour the egg and water mixed beforehand.
Mix together quickly to form a dough ball.
Wrap in plastic wrap and let stand at least one hour in refrigerator.
After this time, go out, spread it on a floured surface and darken the mold carefully. Give a few strokes of a fork and let stand again 30 minutes in the fridge. Make
then bake the dough blank 30 minutes at 180 ° and then brush with a little beaten egg before réenfourner three minutes to fully waterproof.
For filling, whisk the eggs vigorously, milk and cream. Add this product from the wasabi, black pepper, a bit of grated Parmesan and chopped mint. On
baked pie shell, spread a layer of small peas and salmon and peas again. Pour the batter.
Bake about 30 minutes at 180 degrees (until the device is set and slightly golden).

PS: thanks to Martine Camillieri, I had an emotional moment after a mail exchange (previously it was a little party for me) and then she said Maybe we could do that? Thanks MC!

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"A WORLD RECORD IN DANGER WITH THE WALKING YOHANN DINIZ

On March 12, 2011, Yohann Diniz will attempt to beat the world record in the 50km walk on a running track. This challenge will take place on sest land in the heart of the city of coronations, Reims. He will do better than 3h 40 '57 ", be 125 laps, walking 13.5 km / h and keep the pace of 4 minutes 25 kilometer.

Yohann's dream is to score the history of his specialty by becoming Olympic champion in 2012, but also by holding a world record.

The original device will be special events as space partners will be on the stadium Georges-Hébert, on near Yohann. Screens will monitor its performance by comparing the current record permanently. Animation art and sports will be organized during this attempt.

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WORLD DAYS OF WETLANDS TO COURVILLE

Dug in the twelfth century by monks of the Abbey of Igny order to develop a fish farming, ponds Courville allowed the supply of any archbishopric of Reims.

Now, as a wetland, they have been designated under the RAMSAR convention, dedicated to the protection of wetlands worldwide. They host some 120 species of birds.

On Sunday 6 and Monday, February 7, 2011, the World Wetlands Day will explore depth of this site. Between 9.30am and 12am and between 13h30 and 17h, tours will introduce you to the wetlands, pond management and Courville, of course, the species that inhabit them.

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Powder















Clementine powdered. Refined
.
sieved powders. Colored
.

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gray and red Siamese







Two days I watch the sky.
gray clouds and drizzle swept the outline of my week. Keeps me from working. So allow me to dream.
Dreams that are loops. Loops become larger dreams for more precise, ambitious, crazy. Which gradually become obsessions. With me day and night do not forsake me.
These dreams it's glowing red under the gray sky.
I'm stunned.

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Pommery Experience # 8, "OUR BEST MEMORIES": CONTEMPORARY ART IN THE CELLAR OF CHAMPAGNE IMPERIAL

is the 8th time that the cellars of the champagne house Vranken-Pommery hosting an exhibition of contemporary art.

Since September 2010 until March 31, 2011, the spectacular facilities, archive footage and projected that mingle with the millions of bottles multisecular stored in cellars are the best memories of the Toulouse Festival "Spring in September" Nathalie and Paul-Francois Vranken. Indeed, all the works presented have in common the fact of having survived permanently in the memory of the couple.

Domain Pommery is located at 5 Place Général Gouraud, on the road to Chalons-en-Champagne.

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CHRISTMAS IN REIMS UNTIL Sunday, January 16, 2011

To mark the Year of Russia in France, it is the Christmas traditions of Russia at the time of the last Tsar, Nicolas II, who are resurrected at the Palace of Tau As part of the traditional Christmas exhibition.

harmoniously combining fairy tale and history, the exhibition gives pride of brilliant reconstructions: Tsar's study, antiques, throne room and sumptuous costumes ...

Several miniatures are also presented, including that of the impressive Winter Palace in St. Petersburg.

From room to room, each is immersed in the world of a past forever lost, but perhaps not quite yet forgotten ...

At Palais du Tau, near the cathedral, until Sunday, January 16, 2011 from 9:30 to 12:30 and from 14h to 17h30 on weekdays and 9.30 to 17.30 on weekends.

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two dates in January

One ticket information. coincidence, I am fortunate to soon be involved in two public events taking place five days apart from each other. Both events also quite different from each other by their type and the disciplines in which they occur.

The first event takes place Saturday, January 15 , from 2:30 p.m. , the media Marguerite Duras to Paris (115 rue de Bagnolet, 20th District - metro Gambetta or Porte de Bagnolet). This is the day organized by the association and online magazine remue.net to celebrate its decade , and it will be an opportunity for a rich program of reflection on literature, with panel discussion, readings, performances. It detailed program The Day here - very nice program, with among others the journal by then led by Pierre Menard , performance Fred Griot , as well as François Bon and Dominique Pifarély .

on this day, from 3:10 p.m. to 4:10 p.m., there will be a roundtable on "the internet in exchange for writing your report "to which I was invited to participate. It will bring - except myself - Stakeholder value :

- Anne Savelli, author of the blog windows open space , and recently Franck , published by Stock.

- Cecilia Porter, author of the blog small root (whose publie.net had edited the Sapphire antalgos, early 2010).

- Thierry Beinstingel, author of the site roadmaps , and recently Back to the words wild , Fayard.

- Philippe de Jonckheere, whose website désordre.net constellation is a pioneer.

The panel will be moderated by Guénaël Boutouillet of remue.net and I feel very honored (and probably frightened) to participate. Warm thanks the association remue.net , and its president Sebastian Rongier for their invitation .

The second event unfolds at Regional Centre for Contemporary Art on 19 at Montbéliard the Thursday, January 20 at 6:30 p.m. (19 Avenue of the Allies, Montbéliard). I will give a lecture on art Contemporary and walking the sidelines of the exhibition Just passing , presented at the art center of 4 December 2010 to February 27, 2011 (which brings together artists Thierry Bernard, Jennifer Caubet, Anne Emery, Fabienne Gaston-Dreyfus, Thierry Géhin Rodolphe Huguet, Laurent Pernel, Sylvie Reno, Pablo Rosales, Ajejandra Urresti and Vasiliki Tserouka).

The conference program is announced here , it will be a general overview on the theme of walking as a practice and experience as artistic, since the late 1960s with Richard Long and Hamish Fulton, until the 2000s, including Francis Alys and the laboratory Stalker.

Big thank you to the team of the art center on 19 for the invitation and organization, and especially to Jean-Marie Boizeau, responsible for cultural activities and servicing of public.

Access to both events is free. I will speak of one and the other on this blog, once they have occurred.

Images: © Laurence Skivée (for remue.net) / ©, 19, of after an original photograph of Thierry Bernard